A Self-Limiting Problem

Photo by eddmun from FreeImages

Some wag, way back when dinosaurs ruled the earth, once commented that homosexuality is a self-limiting problem. I assume that he (or for that matter, maybe, she) meant that homosexuals don’t breed, so they can’t produce more little homosexuals. Of course there’s many things wrong with this comment, not the least of which is that homosexuality is somehow a ‘problem’.

The writer of the comment assumes that homosexuality has a genetic component. That is, homosexuals are born not made, which is almost certainly true. But the writer was totally wrong when he/she suggested that homosexuals do not breed. They can, they do, and they have always done so, by one means or another.

I don’t know whether the babies of homosexuals are more likely be homosexual or not, but if I were to hazard a guess, I’d say that the kids of homosexuals would be slightly more likely to be homosexual than the kids of heterosexuals. This would be because the kids of homosexuals would be less likely to suppress any homosexual tendencies in themselves than the kids of heterosexuals. Just a guess.

The mothers of homosexuals are mainly heterosexual women, so homosexuals are not going to die out unless the human race changes and homosexuals are not born. This is good, because they are often colourful and interesting characters. I know that’s a stereotype, but it’s not far off the mark.

Photo by quil from FreeImages

The thoughts above came to me when I was thinking about something completely different. Anti-vaxxers. They are far from my favourite people. They are the aggressive fundamentalists of this era, the sort that get up in your face and cover you in spittle as they shout their arguments at you from very short range. That’s also a stereotype, and it is also not far off the mark.

When we get vaccinated, we protect ourselves and others from diseases like Covid-19. We all wear masks because that probably reduces transmission of the disease. The vaccines will protect us and will reduce the effects of the virus if we come in contact with it, but they are not perfect. A few people will get the virus even though they have been vaccinated, but only a small number out of an already small number will need hospitalisation. Very few will die.

But those who have not been vaccinated will, if infected, probably need medical help. Many of them will end up in hospital. Some will die.

So, will anti-vaxxers die out? Will they die or recant before they can have children? That seems unlikely, as many of them already have children and scream “You’re not putting that junk into my child’s arm!”

Also, being an anti-vaxxer is probably not hereditary. Of course, their children will be indoctrinated by their parents with their parents’ anti-vaxxer views, and in that way the parents’ views would be ‘inherited’ by the children. Later the children could encounter a disease that kills them because they are not protected against it. They would not pass along the anti-vaxxer mind set to their potential children and the anti-vaxxer mind set would die out, but only in that family.

Unfortunately, the anti-vaxxer mind set can spread sideways much faster than it can die out. An anti-vaxxer can ‘infect’ many others with their mind set in a very short time.

Since it looks like anti-vaxxers are not a self-limiting problem, we will have to live with them. We’ll need to get vaccinated, and we will need to pay our taxes to provide the medical services that they and their kids will likely need. It’s the price we pay for living in a free society. It would be a lot easier if we could compel them to get vaccinated, but that is not something that anyone in their right mind would want to do.

Photo by Andrzej Pobiedziński from FreeImages

With any luck the rise and fall of the anti-vaxxers will parallel the rise and fall of smoking. At first no one smoked. Then everyone did. It became apparent that people were dying as a result, and while the smokers and the tobacco industry pushed back, the numbers slowly started to fall though it will be a long time until smoking tobacco all but disappears.

Probably the most effective measure that was taken to reduce the number of smokers was the banning of smoking in public places, like pubs and restaurants. It used to be automatic to light up after sitting down. When you had to go outside to light up, it became a chore and this make it easier to give up.

I think that one way to reduce the number of anti-vaxxers would be to ban unvaccinated people from public places, like cinemas and clubs, but that is hard. If everyone carried an inoculation ‘passport’, it might work. Almost everyone carries a driver license, and that works, but there are valid reasons to be wary of requiring everyone to carry an inoculation passport.

Maybe the anti-vaxxers will come to their senses eventually, when they see their unvaccinated family members dying off. Maybe. But by then they will have passed the virus on to others. Innocent people who would get the vaccination if they could, but can’t for some medical reason.

Every unvaccinated person is a Typhoid Mary. It is worth reading that Wikipedia article to get an idea of the mayhem that an uncooperative unvaccinated person can cause. If you are not vaccinated, and you infect someone and they die, then it would make sense that you could be charged with manslaughter. The problem would be proof.

Photo by Marcus Österberg from FreeImages

New Stories and More

Photo by miguel ugalde from FreeImages

I’ve been bad! I’ve not been keeping my website and my Facebook Author page up to date, but I have been writing some short stories. I’ve created a new page to contain the links to these new stories, and I hope that you will drop by and have a look at them.

I’m always interested in reflecting on my creative processes, and one thing that I have discovered is that I am much more interested in writing the stories than I am in publicising them. I suspect that I’m not alone in this!

It is likely, I feel, that there are people out there who are more interested in telling people about their stories than in writing them, and I understand that, but I find it hard.

When you self-publish, your free options for publicising your books and stories are limited. You can make them available on Amazon, or on Kobo or similar sites, or you can make them available through Smashwords or some other aggregating site.

Putting them up there, on the Internet, doesn’t guarantee that people will find (and buy) your books. You also need to tell people about them, so one of the first things that you need to do is to set up a Facebook Author page like I did.

People will still not find your stories, but there is something that you can do, to direct people to your stories, and that is to buy adverts. You can do it on Facebook and you can also buy Google ads.

That means spending money. Well, if you are prepared to spend money, good on you. I don’t want to spend money, so I am resigned to selling one or two books a decade. Unless I’m extremely lucky, (and my books are good enough, which I’m unsure of), I won’t have a best seller on any list!

One more thing that I could do, is give people the option of paying me money to read my books right here on my website. I might do that in future.

Please note, I’ve decided to share my stories here as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.

Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.

The Creative Process

Directions

Photo by Wojtek Piekutoszczak from FreeImages

I’m constantly fascinated by the creative process, at least in so far as it applies to my writing.

I constantly read articles about how to write stories or even novels. The secret, apparently is to plan everything out, usually based on some scheme or template. You have to develop your characters, maybe give them a backstory, a history. Then there must be a problem, an issue, or a difficulty, otherwise there is no story of course.

Only when all this structure is in place can the poor author actually write the story. Avoiding adverbs of course. This works for some people, and there are programs out there to help you if you write in this manner.

There is another way. Draw up a piece of paper or open a word-processing document and write. This is the way that I do it. Oh, I do get an idea in my head, and it does bounce around for a while, attracting characters, plot points, problems and so on, well before I touch a keyboard.

Take the piece that I am writing at the moment. (No, not this post, Johnson!) I’ve already written two stories about a group of people, and I wanted to close out a trilogy. I don’t know why. It just seemed right.

So, there’s a group of characters. They’ve jelled as a group, and are comfortable with each other. I’m comfortable with them, but I can’t just write about their normal lives. No dramatic tension.

So, I just write. I assemble them (it’s the beginning of term), and I have an idea. They’re college age, so boyfriends and girlfriends! They have classmates, and they don’t like one of them, and that character becomes their antagonist. The story is starting to take off.

All the while I am thinking about them when I’m not writing. What if they do this? What if they do that? I guess in a sense that I’m writing the story even when I’m not actually writing the story. I’m considering what they will get up to while I’m wandering the aisles of the supermarket.

Gradually I get an inkling of the main thrust of the story. Obviously, I have my team, I have their antagonist, and maybe their antagonist has a team too. The differences between the two groups escalate, and need to be resolved.

In addition, key scenes occur to me. They may not yet be linked into the story, and not all of them will be in the story in the end, but if I decide that they do belong in the story, the narrative must lead naturally to them.

As regards my current story, I do not have a resolution to the conflict, and only a vague idea of a conclusion, yet, but they will come, inevitably, as I continue to write the story.

The planning approach. It’s not for me, but it may work for you. I’ve tried it and I got nowhere. It may help some people to get their thoughts in order, to steadily work through the plot from introduction to conclusion, but that changes it, for me, from being enjoyable to being, well, tedious. Work, in the negative sense.

But… I can’t emphasise this enough, planning everything out works well for some people. So try it.

But even if you think that you would do best with a well honed plan, I believe that you should try to write a story without a plan. It may be that the method that works for you lies somewhere between the two extremes, and only by experimenting will you work out the way that suits you best.

Rule one of writing is that there are no rules.

My Lastest Stories

I just realised that I’ve not posted any of my stories for a while. In fact I’ve not posted much at all! I’ve still been writing stories, but most of the time I’ve been polishing ones that I’ve already written.

The stories that I am posting below are ones which I’ve not posted before, but when I’ve figured out how to update files on this site I will update some of the older ones. I’ve not substantially changed them though. I’ve just changed a few sentences, corrected some grammar and spelling mistakes. That sort of thing. I hate seeing mistakes in my stories!

Under the Bridge

The troll didn’t have a name, and the humans teased him. He lived quietly under a bridge, and appreciated the smoothness of a stone, the strength of a rock, and the trickling of the stream. But he saves the humans and meets an intriguing fellow stream dweller.


A Cat’s Tale

There was something about the cat, the Boffin decided, that was not quite right. The Mage agreed, so they kept an eye on her. She led them to an encounter with a prickly Cat Queen, and the Mage and the Boffin uncovered a plot.


The Master and the Student

The Master lives high on the mountain known as the Behemoth. He sees climbers come to try to conquer the mountain and often, they die. The Master knows everything, except those things that he deliberately chooses not to know. He is waiting for his Student to appear from the world below.


The Girl

It’s a time of war, and a time of disruption. The girl robs dead bodies for food because her mother is dead and her father is missing. She is barely surviving, but then one of the dead bodies turns out to be not as dead as she thought.


A Sailor on the Endless Sea of Stars

Azathoth searches for something, but he doesn’t know what. He travels the infinite universes, searching for life and the meaning for his existence. He meets a girl and lives a full human life, but there is more to him than that.


Please note, I’ve decided to share my stories here as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.


The featured image of a cat is from FreeImages and is by Lesli Lundgren.

Updating my stories

The Mage and the Boffin
The Mage and the Boffin

I’ve been reviewing and updating my earlier stories, and I’ve removed a few spelling and grammar errors, and tidied up the language a bit here and there. I’ve not radically changed them, but I thought that I’d package them as a PDF and make the new package available on my website. So, if you want to have all my early stories in a convenient package, please download it from here.

If you want my stories in a different format, a MOBI file for a Kindle, for example, let me know via my feedback page, and I will see what I can do.

Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.

LibreOffice – Style Considerations

hieroglyphs
Photo by Krzysztof (Kriss) Szkurlatowski from FreeImages

Every modern word processing program comes with a feature, usually called ‘styles’, which allows you to control the look of your final document. Microsoft Word does. LibreOffice and OpenOffice do. I’d be surprised if there was a major program word processing program that doesn’t.

A style is a collection attributes, such as font, font size, indentation, alignment, colour, and many other attributes that describe an element in a document. The element can be a page, a character or set of characters, a paragraph, an image, and many other things. A style can be applied either by default, or by selecting an element and clicking on a list of available styles.

Sounds complex? It isn’t really. When you want to create a heading for example, you can type some text, select it, change the font type to make it bold, change the font to make it stand out, and increase the size. Or you could simply type the text and then apply one of the builtin Heading styles with a single click and everything is done for you.

I’m mostly concerned here with paragraph styles. That is, styles which apply to whole paragraphs, and not just single characters or words. In MS Word, LO Writer and other word processing programs, if you start typing a paragraph it will be formatted according to a default style. In MS Word I believe it is called “Normal”. In LibreOffice it is “Default Paragraph Style”. The current paragraph style is usually shown somewhere in the editing screen.

(In my text below I will refer to things in LO Writer terms, because that is what I use. But the concepts should apply to MS Word and probably other word processing programs too, even if the details are different.)

It is my strong belief that everything that affects the look and feel of a document should be achieved with styles, because it makes it so much easier to change things.

For instance, suppose you decided to make one of your paragraphs stand out. You could select the paragraph text and make it bold using the style toolbar at the top of your editor screen. That would work.

But several hours later and many pages later, you decide to also indent it. You have to search back through the document for it. Again you could use the on-screen tools to indent the paragraph. Again, that would work.

You return to end of your document, and create another paragraph, which you bold and indent. So far, so easy. But then, you decide that the bold paragraphs would look better in a different font size. Now you have two places to go to change the font and each time you create a bold paragraph, you need to bold it, indent it, and change the font to be consistent.

By the time that you have six or more bold paragraphs, and you want to change something else about them, you will find yourself flicking about in your document. And what if you miss one of the bold paragraphs? Your formatting is no longer consistent!

It would be a lot easier if you had created a “Bold Paragraph Style” (based on the “Default Paragraph Style” for example) the first time that you decided that you needed a bold paragraph. Then you could change all the occurrences of the bold paragraphs without needing to visit all of the occurrences individually. Just change the style!

Creating a new style is not hard. You don’t have to supply all the attributes. You base your new style on an existing one, and just change the things that you want to be different.

I would avoid changing the builtin styles. This is because every style except the “Default Paragraph Style” is based on another style, and all builtin styles are descendants of the “Default Paragraph Style”. In other words the style system is hierarchical, and if you change the “Default Paragraph Style”, any styles which inherits from it, directly or indirectly, may change.

I would not use “Default Paragraph Style” for ordinary text paragraphs, as it is the ancestor of all builtin style. Instead I would choose “Text Body” or one of the styles that inherit from it, and then the consequences are limited.

Since styles are arranged hierarchically, a style such as “Heading 1” for example inherits from the style “Heading”, which in turn inherits from the “Default Paragraph Style”. So some of the settings of “Header 1” come from “Heading” and some from way back in “Default Paragraph Style”.

This is all pretty straightforward and logical, but difficult to explain. The main lesson is that if you use styles, be really cautious about changing the builtin styles, as changing one style may affect any styles which inherit from it.

This is not a good reason to avoid styles as they can make life so much easier for you!

But what if you want all your documents to have the same formatting. The chapters of a book should ideally all look the same, so that when you combine them, it all looks neat and tidy.

You don’t have to modify the styles in each document that you create! That would be tedious and error prone. Instead you can take a document that is in the format that you require, and save it as a template. I’m not going to detail the process here, because there are a couple of ways of doing it in LibreOffice Writer, and that is almost certainly true in MS Word and other word processing programs too.

You can edit the template to remove all the text, if you wish, but the template will have all the necessary styles in it, and writing a new chapter will be easy, with just a click now and then to apply the styles!

One final point is that once you have created a template and are using it to create documents, then everything is not set in concrete. You can change the styles in the template and revisit and save your documents to update the styles in them. This may be tedious, but it is simple! You can even apply a template retrospectively to your old documents, but that is beyond the scope of this article.

In conclusion, I strongly believe that anyone who uses a word processing program that provides a style-like feature and a template-like feature should use the features in almost situations. OK, you write a letter and may think that you would not need to style that, but then you come to write another similar letter. If you had spent a few minutes styling your first letter, you could use it as a template for any subsequent letters. “Dear Mum…”

Don’t be scared of styles. They aren’t really that complex. Styles will not cause you to lose any work or break your word processing program. If things get too messy you can always cut and paste your text into a brand new empty document. I ended up with a mess because I like to experiment with things and only read the documentation after I’ve tried something (and usually screwed it up). But my documents are going to look perfect by the time that I’ve finished.

Styles in Word Processors

A Dark and Stormy Night

I use LibreOffice Writer for writing my stories and for other similar writing tasks. It’s free and it runs on Linux, and it does everything that Microsoft Word™ does and probably more.

I haven’t got anything against the current version of MS Word. It’s a very good program, but it isn’t free, it doesn’t run on Linux, and I’m not keen on the interface, as it is, in my opinion, needlessly complex. But then again, I’ve not used it much.

I have used MS Word extensively in the past, and my memories of using it are not pleasant ones. I’ve lost work that I have done in it on many, many occasions. although that was many, many years ago!

However, in spite of my preference for LO Writer over MS Word, I’m always on the lookout for something else. After all, these fine products are general purpose word processors, and I wondered if there were programs designed to specifically write short stories and longer works.

And of course there are. Many of the writing programs only run on Windows, and I prefer Linux, but I decided to give the Windows-based software options a chance. Who knows? But sadly, I’ve found that the offerings are disappointing when compared with LO Writer and MS Word.

Many of the programs that I’ve looked at are not pretty, but if they work, does that matter? They don’t have as many features as MS Word or LO Writer, but again, if they do the job, so what? No, the real reason for my disappointment is related to the way that I work. It’s all about ‘styles’.

A ‘style’ is a collection of rules which describe how the document should appear. There are subsets of these rules, which apply only to parts of the document. For instance there will be rules for paragraphs, other rules for whole pages, and rules for the whole document. Once set up to the writer’s satisfaction, they should be applied automatically as the author writes, and the author then doesn’t have to worry about making the story or whatever look good, as it happens as if by magic!

Say you are writing, something, anything! You starting typing and the words appear on the screen, and your thoughts appear in concrete form. They are a certain size, a certain colour, and they are in a particular font. A font is the collection characters that, in this case, is shown on the screen in the editor.

They are also in a particular position on the screen. In the WordPress editor that I am using at the moment each paragraph that I type will appear as a paragraph on the page that the user will eventually read. In this case the lines of type will all start at the same distance from the left of the screen. Technically, all the lines in a paragraph are ‘left aligned’.

I’ll just mention here that all modern word-processing editors try to show the text as it would appear in the final result, whether it is in print or on a screen. This doesn’t matter so much for an email, but it is crucial for a story or novel which will be printed or read on a small device. What the screen shows should close to the required result.

Left alignment of all the paragraphs is fine for web pages, but I prefer a different arrangement for paragraphs in my stories, whether my story is read on a device or on paper. I prefer that the first paragraph in the story, chapter, or scene is left aligned, but that subsequent paragraphs are indented a little. You can see the effect in any of my stories, which you can find in this part of my website, and also in the image below.

To achieve this, I use ‘styles’ in my word processor. Without getting too technical, a paragraph style describes how the paragraph should look. For example it describes what font should be used, what size the characters should be, their colour, and how the lines are laid out, and many other things.

To save myself work I start with the ‘default’ style, which will be laid out more or less like the paragraphs in this post. I copy it and give it a name like ‘paragraph no indent’, and save it. It inherits all the settings from the ‘default’ style, even the fact that it is based on the ‘default’ style.

Then I copy the ‘paragraph no indent’ style and call it ‘paragraph ident’, tell it to indent the first line, and save it. Now that I’ve got my styles I link them together. I change the built-in ‘Heading’ style so that, by default the next style is ‘paragraph no indent’. I change the ‘paragraph no indent’ style so that by default the next style is ‘paragraph indent’ and finally I change the ‘paragraph indent’ style so that the next style is still ‘paragraph indent’.

Indentation Example

That all takes a minute or two and is harder to describe than to do. I then save the whole thing as a template. So I can open a new document and type a heading, assigning it the ‘Heading’ style. When I hit enter a new paragraph will automatically be created with a style of ‘paragraph no indent’. After I’ve typed the first paragraph and hit enter, another new paragraph is created with a style of ‘paragraph indent’. All subsequent paragraphs will have a style of ‘paragraph indent’.

Sounds complex? It isn’t really, and I only have to do it once. If I start a new document from the template all the styles are already there, so I can just start typing. And suppose for some reason I wanted all the indented paragraphs to be in a different font in a particular document. If I didn’t use styles I would need to go through my document and change the fonts by hand. But I can just change the font in the ‘document indent’ style, and all the indented paragraphs would be changed, in a second.

This is the big deficiency that I have found in most story writing software. The programs either do not allow the use of custom styles at all, or the custom styles are not easy to use.

Where the story writing software programs do excel is in organisation of the writing process. Most story software allows you to make notes, define characters, storyboard the story, and it breaks down the writing process into chapters, scenes, and so on. It also links all these things together in a logical way.

I’m impressed, but I don’t work that way. I often don’t have a clue what the story is going to be about until I’m actually writing it. I don’t know if a character who turns up is going to be pivotal to the story or whether he or she is just a spear carrier. I don’t have chapters or scenes in my mind. They just happen. This style of writing is known as ‘seat of the pants’ writing, and I’m firmly in that camp.

Many other writers prefer to plan out their writing projects to varied levels of detail, and may take longer to plan a story than to actually write it. I suspect that the whole process takes about the same amount of time, whichever camp you fall into – ‘planner’ or ‘pantser’.

One of the most popular of the story writing packages is called ‘Scrivener‘. It runs on Windows and Mac only, so it wasn’t really on my radar, and if you are a planner (who works on Windows or Mac), then it may suit you very well. From a quick look over, it seems to me that Scrivener can take your minimally formatted document when it is complete and can then ‘compile’ it into a format that suits you, with all the styles that you might desire.

Once again, I don’t work that way. I like to see roughly what I am getting as I write. And surely, if you want to make a change after the document has been compiled you will need to make the change and then re-compile?

To be fair, Scrivener advertises itself as “everything you need to craft your first draft”, and it is suggested that you use another program for the final formatting, but from what I have seen of it, Scrivener actually seems to be much more than that. You can compile your story so that it can be used to create a paperback. And you can compile the same story to be suitable for an e-reader, and you could also generate a PDF of your story. That feature is pretty cool!

But, Scrivener aside, the story writing packages don’t impress me much, because of the style issues, and the other facilities that they provide I wouldn’t find much use for. So, I’m sticking with LibreOffice Writer for now.

Photo by Janusz Hylinski from FreeImages

Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.

A Cloud of Ideas

Photo by Jeremy Menking from FreeImages

I’ve written before about my somewhat chaotic writing process. I like to consider myself to be logical, and fairly rational, but it is rare that I proceed from idea to story in a logical way.

Often my stories seem to possess a life of their own, and while I might start with an idea and intend to take it this way, it instead heads off in that direction. That’s not a bad thing – after all a story is being told, even if it wasn’t the one that I thought that I was going to write.

But that is when I get started. Where do the ideas come from in the first place? Well, the answer is that I have them all the time. If I am thinking about starting a new story, and I haven’t yet decided on the topic, then search for ideas is at the back of my mind, and ideas fizz up all the time.

I could write about the adventures of an insect on a plant, just because I glimpsed an insect damaged plant. Or I might see children waiting to cross the road. What if the crossing guard was a robot, programmed to protect the kids, to the point it would lay down its ‘life’ for the kids. Or the thoughts of a tree.

Getting ideas is not hard. There are literally countless ideas out there, and the difficulty is deciding which ideas can be extended into a story. Well, they all can of course, but some are easier than others. I could probably write a story about intelligent dice, maybe ones whose ambition is to escape randomness and become predictable, but it would probably be a bit hard.

So, if ideas are swarming around you, how can you decide which ideas are worth pursuing, and which are not. There have been occasions when I have started to write and the words have petered out. I’m convinced that there is a story in the idea, but it won’t come out on the screen.

One technique for overcoming this is to put the idea and the not-yet-a-story to one side for a while. I’ve certainly done this, but I’ve not really done it consciously. Something else grabbed my attention, and when I came back to the idea I was able to progress the story.

I would not categorise the failure to progress a story as a ‘writer’s block’, by the way. If you have an idea, but can’t progress it at that time, you still have the idea, and know that you can come back to it and progress it later. A writer’s block would mean that you can’t progress anything at all, I would say. But I’ve never written something to a deadline!

If there really are ideas galore, why do we sometimes find ourselves unable to pick one? One reason is that most writers want to write something fresh and new. Even if they are writing a sequel or one a series, it has to be different in some way, to maintain the interest of the writer and his/her potential readers, so recycling old ideas is not a good idea.

For instance, if in the first book, the heroine slays the dragon and saves the Prince, and she is still doing it in book three or four, it would make the series pretty boring (and what would she do with all those Princes?)

Some people like to organise their ideas. As an idea comes to them, they write it down in a notebook or keep a file of random ideas. I’ve done that at times, but it only works moderately well for me.

Others might find help in a websites that provides ideas for stories. There are many of them, and while I’ve looked at them now and then, I’ve not been inspired by them. The ideas seem to me to be too middle of the road and not particularly interesting, but it is more than possible that the ideas these websites provide could resonate with something in one’s brain and result in a usable idea. So I don’t totally write them off.

Another technique for coming up with ideas is to take a standard story and twist it. For instance, there’s the standard ‘Prince saves Princess from Dragon’ story. What if the Dragon saves the Princess from a boring marriage with an arrogant self-obsessed Prince? Or the Prince and Princess get married and later find out that they are incompatible and it’s not ‘happy ever after’?

I use the twisted standard story idea quite a lot in my writing. My story ‘The Boy the Girl and the Dragon‘ is loosely related to the ‘Prince saves Princess from Dragon’ theme, and my story ‘Golden Hair and the Bears‘ is distantly related to the story of Goldilocks.

[I just realised that the film ‘Shrek‘ is a twisted variation of the Prince/Princess/Dragon theme, if you replace ‘Dragon’ with ‘Ogre’. The Ogre saves the Princess from a marriage with the arrogant self-obsessed Lord Farquar.]

One obvious source of ideas is one’s own stories. One could write a sequel or a spin-off. I’m not a fan of sequels, but I’ve written them. I prefer spin-offs, which allow me to use the existing story ‘universe’ but with new characters and new situations.

So, at the moment I’m between stories. I’m hunting around for the right idea. It’s proving a little elusive, but I’m sure, 100% sure, that it is out there somewhere in the cloud of ideas, just waiting for me to find it!

Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.

How Will the Pandemic End?

Photo by Andrzej Pobiedziński from FreeImages

According to this article from the LA Times, coronaviruses aspire to be like the common cold. In other words, more infectious than Covid-19, but less deadly. The article says that at least four coronaviruses have mutated to follow this pattern.

According to Daniel Defoe, in “The History of the Plague in London” the early form of that disease was both infectious and lethal. Later it made people ill, but it didn’t kill quite so readily. (I’m interpreting what Defoe said, and interpolated his conclusions). It may be that this is the way that the Covid-19 epidemic ends. In the case of the plague, this happened within a year (if I’m correct), and it is likely that Covid-19 may mutate and produce a much less lethal strain on a timescale of months.

Coronaviruses are noted for their ability to mutate. Mutating fast means that any immunity that someone gets from being infected quickly erodes. So, if the flu is a good guide, the flu’s rapid mutation means that we have to get vaccinated every year to protect ourselves. Sometimes the flu virus is a more serious disease than at other times, but it doesn’t seem to become a lot more lethal over time.

There is a possibility that that is mostly due to better medical treatments and facilities for sufferers. But there is always a chance that the flu could become more lethal in spite of this. If Covid-19 doesn’t mutate to become less lethal or harmful, then life as we knew it is over. Border controls, social distancing, and so on are here to stay. Outbreaks are here to stay. Fast cheap air travel is at an end. Global tourism is at an end.

The Covid-19 pandemic may not actually end, but governments may have to act as if it has. They will be forced to open the borders some time, and this will, inevitably, let the virus in again. More people will die. It seems that vaccines will at the most be only partially effective. People still get the flu even if they have been vaccinated, because the virus continually mutates and the same may prove true of Covid-19.

In Defoe’s time people eventually suffered from “plague fatigue”. They took the attitude that if the plague was going to get them, it didn’t matter what they did, and they stopped avoiding plague victims, and just carried on with business as usual. (They wrapped it up in religious language, but that is the essence).

This, interestingly, appears to be happening in NZ and in the rest of the world. In Defoe’s time, in London, this happened at the peak of the epidemic, and things, coincidentally I believe, got better from then on. In Trump’s America, (and some other countries) we can see the consequences of giving up too soon.

Consequently, I believe we in NZ should continue the fight against the virus, for so long as it remains so lethal. We should hope that, within a year, the virus mutates to become less lethal. We should hope that a vaccine becomes available, but we shouldn’t pin all our hopes on that. Viruses have ways of getting around vaccines.

Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.

Three More Stories

I’ve been doing other things, mainly fiddling with this web site, but I’ve also been writing some more stories in the Mage and the Boffin series. Here they are!

Flickering

When Alan is threatened “everything flickers” and he finds himself in a strange new place. He will have to start again from next to nothing. No home, no friends, no money. He needs to find someone who can help him make sense of it all.

The Dichotomy

The Mage and the Boffin go to Hell. They have an interesting talk with the Devil, and they talk about the Great Dichotomy. The Devil is friendly enough until he reveals his true nature.

I am the Apocalypse

A pandemic sweeps the world, and Mack holes up in his apartment. But has he isolated himself in time?

Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.

Please note, I’ve decided to share my stories here as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.