I’ve been bad! I’ve not been keeping my website and my Facebook Author page up to date, but I have been writing some short stories. I’ve created a new page to contain the links to these new stories, and I hope that you will drop by and have a look at them.
I’m always interested in reflecting on my creative processes, and one thing that I have discovered is that I am much more interested in writing the stories than I am in publicising them. I suspect that I’m not alone in this!
It is likely, I feel, that there are people out there who are more interested in telling people about their stories than in writing them, and I understand that, but I find it hard.
When you self-publish, your free options for publicising your books and stories are limited. You can make them available on Amazon, or on Kobo or similar sites, or you can make them available through Smashwords or some other aggregating site.
Putting them up there, on the Internet, doesn’t guarantee that people will find (and buy) your books. You also need to tell people about them, so one of the first things that you need to do is to set up a Facebook Author page like I did.
People will still not find your stories, but there is something that you can do, to direct people to your stories, and that is to buy adverts. You can do it on Facebook and you can also buy Google ads.
That means spending money. Well, if you are prepared to spend money, good on you. I don’t want to spend money, so I am resigned to selling one or two books a decade. Unless I’m extremely lucky, (and my books are good enough, which I’m unsure of), I won’t have a best seller on any list!
One more thing that I could do, is give people the option of paying me money to read my books right here on my website. I might do that in future.
Please note, I’ve decided to share my stories here as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.
Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.
Every modern word processing program comes with a feature, usually called ‘styles’, which allows you to control the look of your final document. Microsoft Word does. LibreOffice and OpenOffice do. I’d be surprised if there was a major program word processing program that doesn’t.
A style is a collection attributes, such as font, font size, indentation, alignment, colour, and many other attributes that describe an element in a document. The element can be a page, a character or set of characters, a paragraph, an image, and many other things. A style can be applied either by default, or by selecting an element and clicking on a list of available styles.
Sounds complex? It isn’t really. When you want to create a heading for example, you can type some text, select it, change the font type to make it bold, change the font to make it stand out, and increase the size. Or you could simply type the text and then apply one of the builtin Heading styles with a single click and everything is done for you.
I’m mostly concerned here with paragraph styles. That is, styles which apply to whole paragraphs, and not just single characters or words. In MS Word, LO Writer and other word processing programs, if you start typing a paragraph it will be formatted according to a default style. In MS Word I believe it is called “Normal”. In LibreOffice it is “Default Paragraph Style”. The current paragraph style is usually shown somewhere in the editing screen.
(In my text below I will refer to things in LO Writer terms, because that is what I use. But the concepts should apply to MS Word and probably other word processing programs too, even if the details are different.)
It is my strong belief that everything that affects the look and feel of a document should be achieved with styles, because it makes it so much easier to change things.
For instance, suppose you decided to make one of your paragraphs stand out. You could select the paragraph text and make it bold using the style toolbar at the top of your editor screen. That would work.
But several hours later and many pages later, you decide to also indent it. You have to search back through the document for it. Again you could use the on-screen tools to indent the paragraph. Again, that would work.
You return to end of your document, and create another paragraph, which you bold and indent. So far, so easy. But then, you decide that the bold paragraphs would look better in a different font size. Now you have two places to go to change the font and each time you create a bold paragraph, you need to bold it, indent it, and change the font to be consistent.
By the time that you have six or more bold paragraphs, and you want to change something else about them, you will find yourself flicking about in your document. And what if you miss one of the bold paragraphs? Your formatting is no longer consistent!
It would be a lot easier if you had created a “Bold Paragraph Style” (based on the “Default Paragraph Style” for example) the first time that you decided that you needed a bold paragraph. Then you could change all the occurrences of the bold paragraphs without needing to visit all of the occurrences individually. Just change the style!
Creating a new style is not hard. You don’t have to supply all the attributes. You base your new style on an existing one, and just change the things that you want to be different.
I would avoid changing the builtin styles. This is because every style except the “Default Paragraph Style” is based on another style, and all builtin styles are descendants of the “Default Paragraph Style”. In other words the style system is hierarchical, and if you change the “Default Paragraph Style”, any styles which inherits from it, directly or indirectly, may change.
I would not use “Default Paragraph Style” for ordinary text paragraphs, as it is the ancestor of all builtin style. Instead I would choose “Text Body” or one of the styles that inherit from it, and then the consequences are limited.
Since styles are arranged hierarchically, a style such as “Heading 1” for example inherits from the style “Heading”, which in turn inherits from the “Default Paragraph Style”. So some of the settings of “Header 1” come from “Heading” and some from way back in “Default Paragraph Style”.
This is all pretty straightforward and logical, but difficult to explain. The main lesson is that if you use styles, be really cautious about changing the builtin styles, as changing one style may affect any styles which inherit from it.
This is not a good reason to avoid styles as they can make life so much easier for you!
But what if you want all your documents to have the same formatting. The chapters of a book should ideally all look the same, so that when you combine them, it all looks neat and tidy.
You don’t have to modify the styles in each document that you create! That would be tedious and error prone. Instead you can take a document that is in the format that you require, and save it as a template. I’m not going to detail the process here, because there are a couple of ways of doing it in LibreOffice Writer, and that is almost certainly true in MS Word and other word processing programs too.
You can edit the template to remove all the text, if you wish, but the template will have all the necessary styles in it, and writing a new chapter will be easy, with just a click now and then to apply the styles!
One final point is that once you have created a template and are using it to create documents, then everything is not set in concrete. You can change the styles in the template and revisit and save your documents to update the styles in them. This may be tedious, but it is simple! You can even apply a template retrospectively to your old documents, but that is beyond the scope of this article.
In conclusion, I strongly believe that anyone who uses a word processing program that provides a style-like feature and a template-like feature should use the features in almost situations. OK, you write a letter and may think that you would not need to style that, but then you come to write another similar letter. If you had spent a few minutes styling your first letter, you could use it as a template for any subsequent letters. “Dear Mum…”
Don’t be scared of styles. They aren’t really that complex. Styles will not cause you to lose any work or break your word processing program. If things get too messy you can always cut and paste your text into a brand new empty document. I ended up with a mess because I like to experiment with things and only read the documentation after I’ve tried something (and usually screwed it up). But my documents are going to look perfect by the time that I’ve finished.
I use LibreOffice Writer for writing my stories and for other similar writing tasks. It’s free and it runs on Linux, and it does everything that Microsoft Word™ does and probably more.
I haven’t got anything against the current version of MS Word. It’s a very good program, but it isn’t free, it doesn’t run on Linux, and I’m not keen on the interface, as it is, in my opinion, needlessly complex. But then again, I’ve not used it much.
I have used MS Word extensively in the past, and my memories of using it are not pleasant ones. I’ve lost work that I have done in it on many, many occasions. although that was many, many years ago!
However, in spite of my preference for LO Writer over MS Word, I’m always on the lookout for something else. After all, these fine products are general purpose word processors, and I wondered if there were programs designed to specifically write short stories and longer works.
And of course there are. Many of the writing programs only run on Windows, and I prefer Linux, but I decided to give the Windows-based software options a chance. Who knows? But sadly, I’ve found that the offerings are disappointing when compared with LO Writer and MS Word.
Many of the programs that I’ve looked at are not pretty, but if they work, does that matter? They don’t have as many features as MS Word or LO Writer, but again, if they do the job, so what? No, the real reason for my disappointment is related to the way that I work. It’s all about ‘styles’.
A ‘style’ is a collection of rules which describe how the document should appear. There are subsets of these rules, which apply only to parts of the document. For instance there will be rules for paragraphs, other rules for whole pages, and rules for the whole document. Once set up to the writer’s satisfaction, they should be applied automatically as the author writes, and the author then doesn’t have to worry about making the story or whatever look good, as it happens as if by magic!
Say you are writing, something, anything! You starting typing and the words appear on the screen, and your thoughts appear in concrete form. They are a certain size, a certain colour, and they are in a particular font. A font is the collection characters that, in this case, is shown on the screen in the editor.
They are also in a particular position on the screen. In the WordPress editor that I am using at the moment each paragraph that I type will appear as a paragraph on the page that the user will eventually read. In this case the lines of type will all start at the same distance from the left of the screen. Technically, all the lines in a paragraph are ‘left aligned’.
I’ll just mention here that all modern word-processing editors try to show the text as it would appear in the final result, whether it is in print or on a screen. This doesn’t matter so much for an email, but it is crucial for a story or novel which will be printed or read on a small device. What the screen shows should close to the required result.
Left alignment of all the paragraphs is fine for web pages, but I prefer a different arrangement for paragraphs in my stories, whether my story is read on a device or on paper. I prefer that the first paragraph in the story, chapter, or scene is left aligned, but that subsequent paragraphs are indented a little. You can see the effect in any of my stories, which you can find in this part of my website, and also in the image below.
To achieve this, I use ‘styles’ in my word processor. Without getting too technical, a paragraph style describes how the paragraph should look. For example it describes what font should be used, what size the characters should be, their colour, and how the lines are laid out, and many other things.
To save myself work I start with the ‘default’ style, which will be laid out more or less like the paragraphs in this post. I copy it and give it a name like ‘paragraph no indent’, and save it. It inherits all the settings from the ‘default’ style, even the fact that it is based on the ‘default’ style.
Then I copy the ‘paragraph no indent’ style and call it ‘paragraph ident’, tell it to indent the first line, and save it. Now that I’ve got my styles I link them together. I change the built-in ‘Heading’ style so that, by default the next style is ‘paragraph no indent’. I change the ‘paragraph no indent’ style so that by default the next style is ‘paragraph indent’ and finally I change the ‘paragraph indent’ style so that the next style is still ‘paragraph indent’.
Indentation Example
That all takes a minute or two and is harder to describe than to do. I then save the whole thing as a template. So I can open a new document and type a heading, assigning it the ‘Heading’ style. When I hit enter a new paragraph will automatically be created with a style of ‘paragraph no indent’. After I’ve typed the first paragraph and hit enter, another new paragraph is created with a style of ‘paragraph indent’. All subsequent paragraphs will have a style of ‘paragraph indent’.
Sounds complex? It isn’t really, and I only have to do it once. If I start a new document from the template all the styles are already there, so I can just start typing. And suppose for some reason I wanted all the indented paragraphs to be in a different font in a particular document. If I didn’t use styles I would need to go through my document and change the fonts by hand. But I can just change the font in the ‘document indent’ style, and all the indented paragraphs would be changed, in a second.
This is the big deficiency that I have found in most story writing software. The programs either do not allow the use of custom styles at all, or the custom styles are not easy to use.
Where the story writing software programs do excel is in organisation of the writing process. Most story software allows you to make notes, define characters, storyboard the story, and it breaks down the writing process into chapters, scenes, and so on. It also links all these things together in a logical way.
I’m impressed, but I don’t work that way. I often don’t have a clue what the story is going to be about until I’m actually writing it. I don’t know if a character who turns up is going to be pivotal to the story or whether he or she is just a spear carrier. I don’t have chapters or scenes in my mind. They just happen. This style of writing is known as ‘seat of the pants’ writing, and I’m firmly in that camp.
Many other writers prefer to plan out their writing projects to varied levels of detail, and may take longer to plan a story than to actually write it. I suspect that the whole process takes about the same amount of time, whichever camp you fall into – ‘planner’ or ‘pantser’.
One of the most popular of the story writing packages is called ‘Scrivener‘. It runs on Windows and Mac only, so it wasn’t really on my radar, and if you are a planner (who works on Windows or Mac), then it may suit you very well. From a quick look over, it seems to me that Scrivener can take your minimally formatted document when it is complete and can then ‘compile’ it into a format that suits you, with all the styles that you might desire.
Once again, I don’t work that way. I like to see roughly what I am getting as I write. And surely, if you want to make a change after the document has been compiled you will need to make the change and then re-compile?
To be fair, Scrivener advertises itself as “everything you need to craft your first draft”, and it is suggested that you use another program for the final formatting, but from what I have seen of it, Scrivener actually seems to be much more than that. You can compile your story so that it can be used to create a paperback. And you can compile the same story to be suitable for an e-reader, and you could also generate a PDF of your story. That feature is pretty cool!
But, Scrivener aside, the story writing packages don’t impress me much, because of the style issues, and the other facilities that they provide I wouldn’t find much use for. So, I’m sticking with LibreOffice Writer for now.
Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.
I’ve been doing other things, mainly fiddling with this web site, but I’ve also been writing some more stories in the Mage and the Boffin series. Here they are!
Flickering
When Alan is threatened “everything flickers” and he finds himself in a strange new place. He will have to start again from next to nothing. No home, no friends, no money. He needs to find someone who can help him make sense of it all.
The Mage and the Boffin go to Hell. They have an interesting talk with the Devil, and they talk about the Great Dichotomy. The Devil is friendly enough until he reveals his true nature.
Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.
Please note, I’ve decided to share my stories here as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.
Imagine a world where men are much less intelligent than women. What would it be like? Would the men become little more than pets, or would they still be able to hold their own in a relationship? What would such a relationship look like?
I’ve written a story about a couple, Jess and Pet, who live in such a world. The story is available here. It’s in a number of parts, and each part is less than 3,000 words long.
Please note, I’ve decided to share my stories here as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.
Some of my stories have been published on Amazon (as eBooks and paperbacks) and Kobobooks and Smashwords (as eBooks). Here are the links to my Author Pages on those sites.
There’s nothing quite like arguing with Climate Change disbelievers or those who believe that 5G is harmful. Or similar ‘fringe’ believers. Oh, some of the fringe beliefs may turn out to be true, it is true, but most of them, and almost certainly the ones I mention above, will turn out to be false.
One particular line of argument caused my jaw to drop. I want to share its ridiculousness with you. It goes this way. Firstly those who cite mainstream articles, ones which espouse Climate Climate or the harmlessness of 5G are accused of cherry picking the results that support the mainstream point of view. There are after all, hundreds of papers, the critics point out, that espouse the opposite view.
Well, yes. In a very narrow sense they are right, of course, but why would anyone cite papers that oppose their point of view? There are good theoretical grounds for believing that Climate Change exists, and that 5G will not harm us, therefore the fact that most experiments support this view is not surprising. Experiments that do show that Climate Change doesn’t exist, or that 5G will harm us should therefore be considered with suspicion, especially if, as is usually a case, there is no theoretical basis for the claims, and the claims are unverified.
It is worth noting that some papers that support Climate Change do cite papers which deny Climate Change and the same is true of some papers that investigate the effects of radiation on the human body. They cite them in the sense that “we looked for the effect described in this paper, but didn’t find it”.
But mainstream believers can turn around and accuse the deniers of Cherry Picking their references too! Can’t they? Surely they also have been choosing only those results that align with their view?
“Not so!” the deniers cry. “The references that we pick are Black Swans!”
What?
A little background. The philosopher Karl Popper stated that a theory can never be proved, but can only be disproved. One example that is often quoted is the theory that “All swans are white”. This can never be proved because, no matter how many white swans that you find, the next one you find might be black. Or red or green or blue, maybe. All the white swans that you find support the theory, but one Black Swan demolishes it completely.
Of course, it is rarely as black and white as that (sorry). Scientists figuratively find an off-white swan.
“See, we said that the theory is false. That is not a white swan,” say the deniers. The other camp say “Yes, of course it is white! A bit of a dirty white, but still white.” “No, it isn’t!” “Yes, it is!”
Nassim Nicholas Taleb, a finance professor and former Wall Street trader, extended this idea. He defined a Black Swan event as one which is impossible to predict due to its extreme rarity but which could have catastrophic consequences, and which is explained in hindsight as if it were actually predictable. Just as a verifiable counter example could be catastrophic for a widely accepted theory.
The deniers, it appears, have in turn extended this definition to “a Black Swan is any experiment whose results run contrary to mainstream thought”. This completely demolishes the counter argument, supposedly, whether the experiment is verified or not. And they are never verified.
A true Black Swan experiment could be defined as one which is a) verified and accepted as producing true results, and b) contradicts a currently widely held theory. The ‘Black Swans’ pointed to the anti-5G supporters fail to fulfil ‘a)’ above.
Leaving aside the fact that scientists have their biases just as do normal folk, one can’t tell simply from a list of papers whether they have been verified by others or not. Very often, the list is said to contain ‘peer reviewed’ papers, as if that adds any veracity to any of the papers in the list. A peer reviewer merely reports that a paper is OK to publish or not.
For example, there were plenty of peer reviewed papers that supposedly showed that smoking cigarettes was harmless. There were others that supposedly showed that smoking would kill you.
Why did those that argued that smoking was dangerous win? Certainly not because of any ‘cherry picking’ or ‘black swans’.
Firstly, there was a consensus among scientists that smoking endangered health. This was driven by the sheer corpus of evidence that built up in favour of that theory, and the fact that the experiments that favoured the opposite could be criticised on many levels. It couldn’t be said that the opposition was ignored. In fact many scientists spent many hours examining supposedly contrary evidence and decided that it was wrong.
Secondly, there was evidence that the chemicals in tobacco smoke were shown, outside of the context of smoking, to be dangerous. So, if you inhaled them because you were smoking, then you exposed yourself to those dangers.
Thirdly, there was ample evidence that stopping smoking resulted in better health outcomes, even if the smoker had been a smoker for years. Even the proverbial man in the street could see it.
As regards Climate Change and 5G opposition, the evidence continues to build for the former, and attempts to demonstrate a harmful effect for the latter continue to be less than impressive.
Climate Change is all but confirmed, but people do continue dissent. That is their right, but it is pointless.
The 5G opposition is strident and irrational. They continue to ignore the evidence, and instead present a body of so-called evidence that is not convincing. They ignore a body of evidence that claims that EMF of the 5G frequencies does not affect the human body, and justifies this by a ludicrous appeal to ‘Black Swans’ which is misapplication of the ideas of Karl Popper.
I’m sure that Popper would be spinning in his grave, if he knew the ways that the 5G opposition were misusing his wise words.
The previous post, which I posted on February 20th, was about the possible extinction of the human race as a result of global warming. Since then, the Covid-19 virus has become a huge threat, and we all have to self-isolate and stay home. It’s not an extinction threat, but it is a threat.
For those of us in paid employment, self-isolation means working from home, which of course brings problems, especially with regards to any children who are in the home. Even though in most cases there will be partners at home who can give the home worker a hand looking after the children, it may well be that both partners are working from home, and it then becomes a question of how child care is arranged between the partners.
That could be a problem of course. But for those of us whose children have left home, there is a different issue. Typically, a married couple or long term partners have different interests. That’s fine in a “normal” (scare quotes) situation, but in these unusual times, couples are forced more closely together.
That can be a mixed blessing. You may be able to recapture some of the attraction that brought you together in the first place, which, while not lost, has mutated into a more mature relationship. But you have matured, and you will have, usually, developed interests which you partner may not share.
They may not share your interests, but they will support you in them. They will tolerate your culinary experimentation, while you will indulge them in their taste for art house cinema.
So, I am a writer and a geek. My wife tolerates these interests, just as I indulge her in her liking for quiz shows on the TV. I actually enjoy them too.
I’m a deep geek. I have written low level routines for several Operating Systems, and I’ve even written programs which run at a hardware level on some. Don’t worry about the terms I use. It just means that I have delved as low as it is possible to do so without actually designing computer chips and the circuits that they operate in.
So, what has this to do with my title? Well, in the absence of doing things like shopping, at the supermarket and other places, which I’m happy to do with my wife in normal times, of course, how do I fill the hours?
Well, I’m spending a little more time on my writing, but on the geek side of things, I’ve been looking at moving my web site from WordPress to Drupal. Not seriously. I’ve long been a fan of Drupal, but I’ve settled on WordPress as my platform of choice, and that is unlikely to change.
Drupal is much more flexible than WordPress. That means of course that it is more complex. WordPress has ‘posts’ and ‘pages’. Pages are static, intended to have a long lifetime. Posts are intended to be ephemeral, at least in terms of relevance. You might want to look at a post from three years ago, but you are more likely to want to read a recent one. Pages are the things that tell people about you (“about” pages) or allow people to contact you (“feedback” pages), and so on.
Drupal has ‘Article’ and ‘Basic page’ ‘content types’ which, roughly correspond to WordPress posts and pages, but you can easily add extra content types in Drupal. Drupal has a highly complex system which allows you to do this, often using one or more of an extensive list of modules which enhance the system.
WordPress also has a system, the plugin system, which allows you to extend the base system. In fact there are thousands of plugins, but if you can’t find one that you want, you may be able to cobble something together from existing plugins.
So these are the things that I have come across so far in my geeky delving. I downloaded the Drupal 8 package onto my ‘server’ (otherwise known as the computer in the back room) and installed it.
Drupal works out of the box, after a fashion, but you would probably not use it like that. Some things can be fixed, like the site logo, but others need one or more modules.
I set about downloading and installing the modules necessary to make the site look better. One example of Drupal’s quirkiness out of the box is that Articles and Basic Pages have addresses like https://<site-name>/node/293. A module is necessary to change it to something user friendly like https://<site-name>/feedback for the feedback form.
Somewhere along the line I discovered that the correct way to install Drupal and its modules these days is to use a program called ‘composer’. This is basically a package management system. Yes, yet another package management system to learn. Oh well. So I blew everything away and started again from scratch.
Next I downloaded the modules necessary to allow me to import my WordPress website into Drupal (using ‘composer’). I always knew that it wouldn’t be an exact fit, but at least I would be able to see what it looked like, and what I had to do to make it look reasonable. I wasn’t trying for an exact copy of my WordPress site.
I managed to import my Posts and Page from WordPress into Drupal as Articles and Basic Pages, and they looked, um, OK. So I went looking for ‘themes’. Both WordPress and Drupal have themes, which are essentially great bunches of CSS (Cascading Style Sheets) and JavaScript. They can change the look and feel of a site in an instant. I downloaded it and installed it via the ‘composer’.
That was a lot better, but I wanted to tweak the styles a little, so I sub-themed it and created a small file with just my changes in it. This small file overrode the parts of the main theme, while the main theme supplied the rest. Or so the theory goes. In fact I had to add some parts of the theme configuration (the ‘regions’) to my sub-theme to make it work properly. I don’t know why sub-themes don’t inherit everything from the main theme automatically. It seems sort of broken.
I discovered that the images in my Drupal site still pointed to my WordPress site, which was a nuisance. One way to prevent that would be to edit the Import file and manually change the addresses. Definitely do-able, but I shelved that problem for now.
Another thing that I spotted about images was that the images that I uploaded appeared under the ‘Images’ tab of ‘Content’ part of the Admin pages. But there was another tab, labelled ‘Media’ which was empty. After a bit of reading I discovered that there is move away from images towards Media Image objects, which are more like WordPress Media images.
Which sounded great until I found that there Media Image objects could not (currently) be embedded into content via the WYSIWYG editor. No button. But this is, fortunately, scheduled to appear in the next release of Drupal.
And that’s about when I gave up. Drupal is a great CMS, but it is not easy to learn, like WordPress. I could use it, but it would take a lot of work, and maybe I’ll delve into it again at some time, but for now I’m happy with WordPress.
Drupal is flexible, but the price of that flexibility is complexity. I was trying think of an analogy to contrast the two CMSes, but the only ones that I could think of denigrated one or the other in some way. There’s more than enough room for both.
OK, this is just a quick note about this blog. It is a WordPress site, and periodically they come out with updates. One of the recent updates has included a new editor, the so-called Block Editor. I’m a technophile, but have been putting off switching to it, because of the time involved in learning something new.
The new editor, sometimes known as Gutenberg, is certainly a lot different from the old editor, the TinyMCE editor. Each ‘element’ (maybe not the official terminology) that is added comprises a block, and each block can have different properties (eg background colour or background image).
Having each element in its own block means that chunks of the page or post can easily be shifted around, using drag and drop. It’s a lot easier and quicker than cut and paste.
I’ve mostly used the ‘paragraph’ block, for text, and the ‘file’ block, to give access to my files. This second block makes it easy to give access to new files, but it presents them slightly differently from the standard underlined blue links, but I’m happy with that.
There’s a new feature that I like very much. It’s called ‘Reusable Blocks’ and is ideal for chunks of standard text. For example, see the chunk of text with a yellow background below. I’ve used it on a few pages and posts to warn my readers (if I’ve got any!) that things might look a little different.
In conclusion, I’ve only had a brief look at the new editor, but it is definitely worth a try. The old one won’t be around for ever, (it goes in 2022, I believe) so it is a good idea to have a good look at it well before then. I haven’t found any glitches yet, but in any case, it will only improve over time.
In addition to using the new Block Editor, I’ve also switched to using a new theme, which is called ‘twenty sixteen’. That too will make things look different. I’ve set up new menus, a new home page banner, and a couple of other things. Maybe I should mention that in my chunk of text!
I’ve switched to using the new WordPress Block Editor, and this means that my posts may look different from now on. Things may change as I get more used to the new editor, so please excuse any small changes that you might notice. Please comment below, or fill in my feedback form, if something appears to be really wrong. (e.g. bits of text hidden by buttons.)
Things don’t always go to plan, when writing a story. For instance, the protagonists in my latest story are currently frozen in time, as I try to work out what they are going to do next. It’s as if they’re at a stage in their journey where they have to change course and head off in a slightly different direction, but they don’t know which direction to go in.
Oh, I know where I want them to end up, pretty much, and I know roughly how they are going to get there, but it’s the details that are currently eluding me. Do they turn left or right when they leave the door? Do they stick together or split up, and (maybe) get back together again later? One of them has a secret. Does it come out now, or later, and what are the knock-on effects from the revelation?
So, they are on a sabbatical at present, sitting by the side of a pool somewhere in the storyverse, sipping cocktails and asking each other “Where do you think he will send us next?”
When I come to a sticking point in a story there are a number of courses of action that I could take. One is to abandon the story for a while, like I am doing with the story in question. Or I could force the narrative onward.
This second course of action is generally much harder, but on occasion I have taken it. Generally it means I write a few words, maybe a sentence on two, then play a game or take the dog for a walk. Then I push it a step or two further. And so on, until the log jam breaks and the words start to flow more freely.
This works for me. I know, though, that other people do things differently. There are many tricks to break the log jam, which is sometimes called a writer’s block. For instance there are web sites which produce a random sentence, often of the form “<subject> <verb> <object>” with maybe few random adjectives thrown for good measure. I can see how this would help, if the writer’s narrative fit the suggestion reasonably closely, but often this is not the case. (Others may be luckier than I am, of course).
I can’t say that I suffer from writer’s block, though. I’ve shelved stories for up to a decade or so, but that more because I wanted to do other things than because I can’t advance the narrative. It’s more temporary loss of enthusiasm than a block. But it does bring the narrative to a temporary halt.
Most of my stories have been or will eventually be published on Amazon and Kobobooks. Here are the links to my Author Pages.
[Please note, I’ve decided to share my stories here only as PDFs. If you would prefer a different format, for example, an ePub file, just let me know through my feedback form.]
Writing is dangerous. When you put that pen to paper, or more likely, hit that first key, you don’t know where you will end up. You set up a situation, a garden, say, with God, a tree, a couple, and a serpent. The serpent urges the woman to eat fruit from the forbidden tree, but, of course, she doesn’t because God forbade it, and she and her husband live happily ever after in the garden.
Hmm, that’s a bit of a dead end, but I’d guess that you could think of improvements. Let’s say that God visits them one day.
“Adam, Eve, are you happy here?” asks God.
“It’s brilliant. We love it.”
“”How do you know?”
“You told us. You’re God. You must be right.”
“Just eat one of the apples on that tree, guys, please.”
Sounds of munching.
“Erm, God, what’s it like out there?”
“There’s misery, pain, trouble and worries, and there’s also joy, love, happiness. There’s also kids, who roll up all those things into one delightful, infuriating package.”
So, I didn’t know where that was going and I’ve only just started! Obviously, I began from the Garden of Eden, and had Eve resist the blandishments of the serpent. Then I had God urge Adam and Eve to eat the fruit, and consequently Adam and Eve became curious about ‘out there’. God’s going to have to cut them some slack out there, since it was He who encouraged them to eat the fruit, but I’ll leave it there, for now.
In “The Lord of the Rings” Bilbo Baggins recites a poem several times. Bilbo is referring to a real journey of course, but writing a story is much like a journey. You start off with the first word, or the first step, and you have no idea where your journey or story may take you. No idea at all.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way
Where many paths and errands meet.
And whither then? I cannot say.
At some point, your feet, or your words, come across a broader way. Your feet may encounter a highway, and other people. Your words may lead you to a larger narrative, in which are embedded new characters. These characters all have ambitions and objectives. They may help or hinder you. And so the road or narrative goes on, leading you to who knows where. Whither then? You cannot say.
As a writer you live your characters. You say their words. You fight their demons. You love their loves, and sometimes you die their deaths. You experience their defeats and their triumphs. You are the hero and the villain.
At the same time, paradoxically, you can’t predict what happens. Any writer knows the feeling of surprise when something unexpected happens. When Adam and Eve eventually find their way back to the Garden and politely request entry, God lets them in, because, after all, he told them them to eat fruit from the Tree of Curiosity. What? You thought it was the Tree of Knowledge? If the fruit gave them knowledge, why did they have to leave the Garden? They would have known what’s out there just by eating the pear from the Tree.
And God and Adam and Eve would sit down and Adam and Eve would relate their story. Oh, God would already know it of course, but a story, even if you know it, always sounds better coming someone else. They’d introduce their kids, and God would ask them if they wanted to stay. Adam looks at Eve and they shake their heads. Nah, Eden is OK, but it’s a bit boring, duplicitous serpents aside. They’ll take real life. God saw what He had done, and it was good.
Writing is dangerous. You never know where it is going to take you, and you never know how long it will take. You start with one sentence and the next thing you know you have a whole book. You will have agonised with your characters, you will have been surprised or shocked at what they get up to, and you will discover that the house is a mess and the dog will have left you.
Writing is dangerous. It soaks up you time, your energy, and possibly your money. You will have forgotten to do your washing, your diet will have lacked balance and vitamins, and your garden will resemble a jungle.
Writing is dangerous. You sit back having completed your story. And rewritten it, perhaps several times. And altered it, added characters, removed characters, changed characters. And spell checked. And grammar and syntax checked. Dozen of times. And then you have a thought. The serpent. Embodiment of evil? Or God’s loyal servant doing God’s bidding, maybe?
Writing is dangerous. Even after you’ve finally, finally finished, you sit back, momentarily satisfied. Then you jolt upright. That documentary on waterfalls! What if the world was split by a single humongous waterfall. Those living at the top would naturally look down from above and see the lands below, but they wouldn’t be able to reach them. Those down below look up and see the towering waters and wonder if there is anything up there. Then some intrepid top-dweller invents a hot air balloon and floats over the waterfall and his craft descends to the lands below. And then…
And then you type the first sentence and everything begins again.
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